'A JOURNEY TO SUNDANCE' is about the spirit, dreams and struggles of independent filmmakers from all over the world, as well as my own struggles to finish this enormous undertaking.

A poor and ordinary boy from a village joins a minor sect in Jiang Hu and becomes an Unofficial Disciple by chance. How will Han Li, a commoner by birth, establish a foothold for himself in his sect? With his mediocre aptitude, he must successfully traverse the treacherous path of cultivation and avoid the notice of those who may do him harm. This is a story of an ordinary mortal who, against all odds, clashes with devilish demons and ancient celestials in order to find his own path towards immortality.

In Brahmalokam, Brahma (Rajendra Prasad) has a small tiff with Saraswathi Devi (Kalyani) and he decrees that marriage has to be followed by death. In Bhulokam, Sreenu (Sivaji) a happy go lucky struggling to pass his degree chances upon Swetha (Sonia) and it is love at first sight. Meanwhile, Sreenus friend Sobhan Babu (Venu Madhav) does a penance to Brahma and wins his heart. Brahma gives a pot to Sobhan Babu and tells him to drink it, that will give the power to read anyones fate. However, a situation happens and Sreenu ends up drinking it. In no time, his life falls in place, he wins the heart of Swetha. However, Brahma realizes that this boon is causing trouble to the law of nature. He along with Yama (Jayaprakash Reddy) and Chitragupta (AVS) come to Bhulokam to retake the powers. Whether they are successful or not forms the rest of the story.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

A brilliant blind student fights a seemingly hopeless battle to gain acceptance into medical school.

Showing the journey to the creation of the film Moonlight Mile.

Showing the journey to the creation of the film Moonlight Mile.

A poor and ordinary boy from a village joins a minor sect in Jiang Hu and becomes an Unofficial Disciple by chance. How will Han Li, a commoner by birth, establish a foothold for himself in his sect? With his mediocre aptitude, he must successfully traverse the treacherous path of cultivation and avoid the notice of those who may do him harm. This is a story of an ordinary mortal who, against all odds, clashes with devilish demons and ancient celestials in order to find his own path towards immortality.

The film marks 50 years since riots erupted across Northern Ireland, widely seen as the beginning of the thirty-year conflict known as The Troubles. Mark Cousins – who left Belfast at 18 – returns to his hometown to reflect on how the place and its history have been used and occasionally abused by cinema. He traces how the legacy of division has impacted on the nation’s cinematic imagination; and, in a city that once had one of the highest rates of movie-going in the UK, he scrambles around the ruins of Belfast’s once-grand cinemas.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.